
Friends (Eric Bibb)
Friends is the accurate and revealing title for New York Bluesman Eric Bibbâs tenth album since 1997. The cuts here feature rootsy folk and blues collaborations with different âfriendsâ in differering small group settings. The set starts with a killer accoustic slide duet between Bibb and Guy Davis on the nugget â99 1/2 Wonât Doâ. The control between Davisâ sweet and smoky delivery and Bibbâs husky wail â akin to Blind Willie Johnsonâs in places â offers a double-sided dimension in interpretation for the listener, as well.
Elsewhere, Charlie Musselwite gives a killer snaky harmonica performance on âSix Oâlock Bluesâ/ Taj Mahal makes two appearances; one in a duet on âGoin Down Slowâ and one in a trio with Bibb and Malian Guitarist Djellmady Tounkara on a medley of the traditional âKulanjanâ and Bibbâs own âSebastiabnsâs Tuneâ. Speaking of Mali, and Mahal. Bibb also covers the elder bluesmanâs classic âLovin in My Babyâs eyesâ. with the great Kora player madou Diabate that rivals the original. Thereâs also a gorgeous version of Guy and Susanna Clarkâs âThe Capaâ.with guitarist Martin Simpson, Bibbâs moving âFor Youâ with Ruthie Foster, and âTainât No Such Thingâ. a bright new folk song written and sung with legendary folk singer Odetta Mohan Veena ace Harry Manx performs with Bibb on the high lonesome, droning blues of âNeeded Timeâ. and with Kristina Olsen on her âIf I Stayed â. The set closes with the tender âDance Me to the End of Loveâ, (an original, not the Leonard Cohen tune), with the Lovinâ Spoonful Jerry Yester playing piano.
Given that most records of this type are mixed bags at best with âstar-studdedâ collabs serving too much up or water down rather than enhance performances,â Friendsâ is an anomaly. There is nothing thatâs obvious or overblown here, everything is subtly shaded, and the performances serve the songs and not themselves. The listener gets no sense of back patting or self-congratulation. only the great pleasure of hearing the music in a revealing, emotionally honest way. Bravo. Thom Jurek/AMG
[[Selling Points]]- LP x 2 gatefold sleeve
Original: $50.00
-70%$50.00
$15.00Friends (Eric Bibb)
Friends is the accurate and revealing title for New York Bluesman Eric Bibbâs tenth album since 1997. The cuts here feature rootsy folk and blues collaborations with different âfriendsâ in differering small group settings. The set starts with a killer accoustic slide duet between Bibb and Guy Davis on the nugget â99 1/2 Wonât Doâ. The control between Davisâ sweet and smoky delivery and Bibbâs husky wail â akin to Blind Willie Johnsonâs in places â offers a double-sided dimension in interpretation for the listener, as well.
Elsewhere, Charlie Musselwite gives a killer snaky harmonica performance on âSix Oâlock Bluesâ/ Taj Mahal makes two appearances; one in a duet on âGoin Down Slowâ and one in a trio with Bibb and Malian Guitarist Djellmady Tounkara on a medley of the traditional âKulanjanâ and Bibbâs own âSebastiabnsâs Tuneâ. Speaking of Mali, and Mahal. Bibb also covers the elder bluesmanâs classic âLovin in My Babyâs eyesâ. with the great Kora player madou Diabate that rivals the original. Thereâs also a gorgeous version of Guy and Susanna Clarkâs âThe Capaâ.with guitarist Martin Simpson, Bibbâs moving âFor Youâ with Ruthie Foster, and âTainât No Such Thingâ. a bright new folk song written and sung with legendary folk singer Odetta Mohan Veena ace Harry Manx performs with Bibb on the high lonesome, droning blues of âNeeded Timeâ. and with Kristina Olsen on her âIf I Stayed â. The set closes with the tender âDance Me to the End of Loveâ, (an original, not the Leonard Cohen tune), with the Lovinâ Spoonful Jerry Yester playing piano.
Given that most records of this type are mixed bags at best with âstar-studdedâ collabs serving too much up or water down rather than enhance performances,â Friendsâ is an anomaly. There is nothing thatâs obvious or overblown here, everything is subtly shaded, and the performances serve the songs and not themselves. The listener gets no sense of back patting or self-congratulation. only the great pleasure of hearing the music in a revealing, emotionally honest way. Bravo. Thom Jurek/AMG
[[Selling Points]]- LP x 2 gatefold sleeve
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Description
Friends is the accurate and revealing title for New York Bluesman Eric Bibbâs tenth album since 1997. The cuts here feature rootsy folk and blues collaborations with different âfriendsâ in differering small group settings. The set starts with a killer accoustic slide duet between Bibb and Guy Davis on the nugget â99 1/2 Wonât Doâ. The control between Davisâ sweet and smoky delivery and Bibbâs husky wail â akin to Blind Willie Johnsonâs in places â offers a double-sided dimension in interpretation for the listener, as well.
Elsewhere, Charlie Musselwite gives a killer snaky harmonica performance on âSix Oâlock Bluesâ/ Taj Mahal makes two appearances; one in a duet on âGoin Down Slowâ and one in a trio with Bibb and Malian Guitarist Djellmady Tounkara on a medley of the traditional âKulanjanâ and Bibbâs own âSebastiabnsâs Tuneâ. Speaking of Mali, and Mahal. Bibb also covers the elder bluesmanâs classic âLovin in My Babyâs eyesâ. with the great Kora player madou Diabate that rivals the original. Thereâs also a gorgeous version of Guy and Susanna Clarkâs âThe Capaâ.with guitarist Martin Simpson, Bibbâs moving âFor Youâ with Ruthie Foster, and âTainât No Such Thingâ. a bright new folk song written and sung with legendary folk singer Odetta Mohan Veena ace Harry Manx performs with Bibb on the high lonesome, droning blues of âNeeded Timeâ. and with Kristina Olsen on her âIf I Stayed â. The set closes with the tender âDance Me to the End of Loveâ, (an original, not the Leonard Cohen tune), with the Lovinâ Spoonful Jerry Yester playing piano.
Given that most records of this type are mixed bags at best with âstar-studdedâ collabs serving too much up or water down rather than enhance performances,â Friendsâ is an anomaly. There is nothing thatâs obvious or overblown here, everything is subtly shaded, and the performances serve the songs and not themselves. The listener gets no sense of back patting or self-congratulation. only the great pleasure of hearing the music in a revealing, emotionally honest way. Bravo. Thom Jurek/AMG
[[Selling Points]]- LP x 2 gatefold sleeve


















